Our story so far: Among the light fixtures we procured for the old Methodist church we were turning into our home, we recycled the pendant chandeliers that once hung in the sanctuary by repainting them and installing new glass.
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While we were paying homage to the church’s historical features, Tyler decided to relocate the milk glass ceiling lights he found in various locations in the church during demolition to the Hall of History.
We were maintaining the only hallway that existed in the church. The fifteen-foot-long hall led from the sanctuary to the back stairway up to the second floor and included a closet and the doorway to what would someday be our bedroom. It had a high ceiling (after demo anyway) and beadboard up to the chair rail. He imagined we could hang pictures of the church throughout history on its expansive walls. Thus, he named it the Hall of History.
He found three milk glass lights of various shapes during demo and a number of rusty canopies (the Lighting Savant taught me this term; a light canopy is the lamp part used to cover ceiling electrical boxes). Though the orbs didn’t match, Tyler thought it would be a nice tip of the hat to history by put them to work in the Hall of History. Once again, I employed spray paint to combat the rust on the canopies and create a uniform element for the disparate orbs. I chose satin black which would stand out against the white ceiling.
And the screws to secure the orbs in the canopies? The old ones were so rusty I could hardly get them out of the canopies, but thanks be to Home Depot, the store offered a whole array of replacement options. Would it surprise you to learn I chose brass? Indeed, bright brass would be the discrete accent to set off the black and white fixture. Because details mattered.
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Tomorrow: Odds and ends. Read about them here.