Our story so far: We saved some money by choosing quartz remnants, rather than a whole sheet, for the miscellaneous counter tops in the 126-year-old Methodist church we were converting into a home.
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The back lot of the nearby counter top store had a few distinctive gems—strange yet beautiful hunks of stone that would require display in a small, special place. I had just the place for one of these pieces.
Earlier in the year when we visited a nearby antique shop, a mirrored coat rack caught my eye. I thought I could create my own using a piece of stone and the ornate Mirror, Mirror on the Wall Tyler had purchased at an estate sale months right after we put an offer on the church. To support the shelf, I figured we could repurpose a corbel that had been used on the former decorative beams in the sanctuary. This would be both functional and beautiful in the front entryway of the church.
As I was shopping the back lot and describing this small half-circle piece I needed, the upbeat salesman directed me to a small piece of marble. It was mostly black with white veining and splashes of cinnamon and latte—stunning. Marble is porous, which means it’s susceptible to scratches and staining and therefore not the best choice as counter top for someone who actually cooks in their kitchen. It’s also expensive by the sheet. But a little bit of remnant would be just fine for my coat rack. I stared at it, squinting my eyes to imagine it in place.
Then the salesman told me the name of it: Michelangelo.
“Yeah, I need a piece of that,” I said.
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Tomorrow: A work of art of another sort. Read about it here.